Reminds me somehow of that one Twilight Zone episode with the old lady who refused death so he tricked her by turning into a guy. In this case death is a sweet girl who wants to be †žtalen in“...
@GODsHandOnEarth:
I like your interpretation. The MC is mentally and physically exhausted.
He's lonely, sickly, bullied, overworked, underfed, and utterly miserable.
In short, he's ready to die.
If (as you suggest) the runaway girl is supposed to be Death---or a
psychopomp---then the canal probably represents the Sanzu River,
which the MC must cross in order to reach the World of the Dead.
Note that the MC's lunch is stolen by a raven. That's a dark piece
of symbolism, because ravens (being carrion eaters) have a strong
association with death. They're often depicted perched on gibbets,
or flocking over battlefields.
It's as if the MC is already dead, and the bird is pecking at his corpse.
@Ecchi-senpai: *expoctorates his throat noisily and attempts an annoying infomercial voiceover* "Feeling miserable? Work got you down? Relentlessly tormented by your colleagues in vile ways?
For the low, low price of ¥10,000 a day, allow our sultry psychopomps to release you of your chains of inhibition and mortality!"
Namae Renraku's stories are superb mood pieces that really get under your
skin. He currently has three chapters on Fakku, and all of them feature adult
male losers who become involved with strange young women. Spooky stuff,
in a very subtle way.
The same thought has been floating around in my head ever since this chapter was
posted. If possible, could Fakku contact Namae Renraku and deliver this message?
I've been a graphic arts fan for over 60 years. I've read 1000s of stories---manga,
eromanga, underground comix, American comics, and European graphic novels. The Man Near the Water's Edge is quite simply one of the finest stories I've ever
read. The writing and artwork are uniformly excellent and perfectly integrated with
each other. It's a genuine masterpiece that keeps drawing me back, for the sheer
pleasure of re-reading the story and admiring its artistry.
The artwork in this chapter is simply brilliant---beautifully
composed and exquisitely detailed. It keeps drawing me
back, just for the sheer visual pleasure of re-reading the
story.
This chapter is a dark inversion of the "runaway girl" trope. Instead of
taking the girl home, the wretched MC is apparently going to drop out
and live on the street with her (which is definitely not what she wants).
"Yo, Dawg; heard y'all sometimes like Deep Shit in your H-Story, so artist-san dropped some Deep Shit in this here H-story, so when it sinks in, y'all will think or say: 'Whoa, That's Some Deep Shit!' at the Deep Shit contained in this H-Story."
I like your interpretation. The MC is mentally and physically exhausted.
He's lonely, sickly, bullied, overworked, underfed, and utterly miserable.
In short, he's ready to die.
If (as you suggest) the runaway girl is supposed to be Death---or a
psychopomp---then the canal probably represents the Sanzu River,
which the MC must cross in order to reach the World of the Dead.
Note that the MC's lunch is stolen by a raven. That's a dark piece
of symbolism, because ravens (being carrion eaters) have a strong
association with death. They're often depicted perched on gibbets,
or flocking over battlefields.
It's as if the MC is already dead, and the bird is pecking at his corpse.
Last Modified Sun Jul 24, 2022, 2:41 pm
For the low, low price of ¥10,000 a day, allow our sultry psychopomps to release you of your chains of inhibition and mortality!"
Last Modified Sat Nov 27, 2021, 10:02 pm
https://en.wikipedia.org/wiki/Death (DC Comics)
Last Modified Sun Jul 24, 2022, 2:39 pm